ARTIST

Coralie Prévert’s silk scarves

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Like her famous namesake, the French poet Jacques Prévert, Coralie shares a love of languages.

Coralie Prévert moves from Paris to Parma in Italy as a student, where she adds Italian to her skills. Her goal at that point was to become a translator. Gradually, her 12-month stay in Italy turns into 12 years. Her goal changes and a new career option surfaces.

After graduating from the Instituto Europeo di Design in Milan in Textile Design. Coralie joins Versace and later Roberto Cavalli, Working for major brands was not only a challenging and an enriching experience but was also an opportunity to meet amazing creatives.

But the need to experiment and to express herself without commercial constraints became more and more impelling and she decides to return to Paris and to begin something new.

Once back she designs her own scarves and by 2015 the Coralie Prévertbrand was launched. She has not stopped working since. The following year she adds a selection of beautiful printed kimonos. Just recently, in January 2018, a new wallpaper and fabric collection were introduced to her collection which she launched at the prestigious Maison & Objet Paris fair.

Not wanting to restrict herself to fashion, Coralie Prévert now enjoys exploring the world of home decor and hopes to collaborate in the near future not only with rug companies but also with tiling manufacturers and design home textile creators. The sky is the limit.

Read more about Yad Cheri’s partner of the month on YADCHERI.COM

https://www.yadcheri.com/coralie-prevert

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Pedro

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“I ADMIRE EVERYTHING THAT IS USELESS, FRIVOLOUS AND WHIMSICAL. I HATE FUNCTIONALISM, POST-MODERNISM AND ALMOST EVERYTHING ELSE. FOR ME, THE HOUSE AND ITS OBJECTS IS SUPPOSED TO BE SOME CRAZY PLACE THAT MAKE YOU LAUGH.” – PEDRO FRIEDEBERG

PIETRO ENRICO HOFFMAN LANDESMAN (AS WAS HIS GIVEN NAME) OR AS HE WAS LATER KNOWN AS PEDRO FRIEDEBERG, WAS BORN IN ITALY IN 1936 TO GERMAN-JEWISH PARENTS. AT THE AGE OF THREE, PIETRO AND HIS RECENTLY DIVORCED MOTHER FLED ITALY AT THE ONSET OF THE SECOND WORLD WAR AND SETTLED IN MEXICO.

SOON AFTER ARRIVING IN THE NEW COUNTRY, PIETRO’S MOTHER REMARRIED AND WENT TO WORK AS A TRANSLATOR FOR EXPATS — SUCH AS THE RUSSIAN REVOLUTIONARY LEON TROTSKY AND GERMAN WRITER ANNA SEGHERS — BOTH OF WHOM HAD FLED THEIR NATIVE COUNTRIES AND SOUGHT ASYLUM IN MEXICO.

AS A UNIVERSITY STUDENT IN MEXICO CITY IN THE 50’S, HE INITIALLY STUDIED ARCHITECTURE BUT HIS FANTASTICAL DESIGNS RAN AFOUL OF HIS RATIONALIST, BAUHAUS ORIENTED TEACHERS.

BY CHANCE, HIS DRAWINGS CAME TO THE ATTENTION OF MATHIAS GOERITZ A GERMAN BORN AVANT GARDE PAINTER & SCULPTOR WHO ENCOURAGED FRIEDEBERG AND MADE HIM A PROTÉGÉ. BY 1961 HE STARTED EXHIBITING IN LOCAL GALLERIES AND ABANDONED HIS STUDIES TO FOCUS SOLELY ON HIS ART.

FROM AN EARLY AGE, FRIEDEBERG WAS SURROUNDED BY RADICAL THINKERS AND ARTISTS, WHICH UNDOUBTEDLY HAD A TREMENDOUS IMPACT ON HIM. MEXICO CITY AND ITS SURROUNDINGS PROVIDED A WEALTH OF INFLUENCES FOR A YOUNG, INQUISITIVE MIND.

HE WAS ALWAYS FASCINATED BY RELIGIOUS ARCHITECTURE: CATHEDRALS, AZTEC PYRAMIDS, SYNAGOGUES, GURDJIEFFIAN TEMPLES AND AT AN EARLY AGE HE WAS INFLUENCED BY THEOSOPHY, CATHOLICISM, ATHEISM, EASTERN CUSTOMS AND RELIGIONS.

AS A SCULPTOR & PAINTER PEDRO FRIEDEBERG’S WORK IS RICHLY DETAILED, SURREAL & HIS ARTISTIC STYLE BLENDS INFLUENCES FROM NEOCLASSICAL ART, ESHER AND MESOAMERICAN SYMBOLISM.

SPACE AND TIME ARE IMMATERIAL; THE ANCIENT MINGLES WITH THE MODERN; HANDS AND FEET BECOME CHAIRS, ANIMALS DANCE AMONG CLASSICAL ARCHITECTURE; IMAGES, SHAPES, AND LETTERS ARE REPEATED AD INFINITUM. ANYTHING AND EVERYTHING IS POSSIBLE IN THE CRAZY WORLD OF PEDRO FRIEDEBERG. HIS IMAGINATION IS LIMITLESS.

HIS FOOT AND HAND CHAIRS, CLOCKS IN THE SHAPE OF HANDS AND TATTOOED MANNEQUINS AMONG OTHER THINGS BRING LEVITY AND WHIMSY TO ANY SPACE IT OCCUPIES.

HE IS BEST KNOWN FOR HIS HAND CHAIR, A FUNCTIONAL SCULPTURE THAT IS AN ICON OF DESIGN AS ART, CREATED IN 1961.

WITH A CAREER SPANNING MORE THAN FIVE DECADES, HE HAS DEVELOPED SOMETHING OF A CULT FOLLOWING AMONG COLLECTORS AND DESIGNERS ACROSS THE GLOBE.

https://www.yadcheri.com/talk-to-the-hand-blog/

Saype draws 10,000 square meter man in the mountains of Leysin, Switzerland

SAYPE draws 10,000 square meter man in the mountains of Leysin, Switzerland.
Artist Saype has recently completed this monumental ephemeral land artwork in the mountainous landscape of Leysin. The 10,000 square meter piece depicts a reclined man lying on the side of a huge hill, his arms crossed behind his head, eyes closed as the sun hits his face, and a pipe casually resting in his mouth. source : Designboom

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